surrealism

Two years and seven months ago, a new chapter began in the artistic journey of Rafał Dobosz—a master of abstraction whose passion for his craft is ever-evolving. It all started with a colossal painting measuring 180 cm x 180 cm, whose initial concept hinted only at the beginning of something far greater. Rafał, renowned for his masterful expression of emotion on canvas, soon discovered that his intuitive approach to painting transcended spontaneous abstraction; a new idea was born that laid the foundation for his latest series, “Portal of Existence”.

The early stages of this monumental project involved traditional techniques, beginning with the depiction of the sky, gradually followed by the emergence of mountain silhouettes. However, as time passed and the artist delved deeper into his own reflections, the painting began to assume an entirely new form. Rafał started incorporating elements intended to symbolise a passage into other dimensions—cubes which, at first glance, might appear to be mere geometric shapes, but in his vision became portals to a new universe.

In the first painting of the series, entitled “Guardian of Infinity”, Rafał Dobosz has created a work that is not only a visual abstraction but also a profound metaphor—a guardian that stands at the threshold between our world and the unknown. Painted over the course of more than two and a half years on a 100 x 100 cm canvas using oil paint, this work is a testament to meticulous craftsmanship and a layered compositional approach. The key motif in this piece is the cube—symbolic elements which Rafał interprets as gateways to other dimensions. Each cube serves as a miniature portal, opening a path to an unexplored universe.

During the creative process, the artist experimented with a variety of techniques, utilising both traditional methods of paint application and modern glazing techniques. The resulting composition is defined by dynamic contrasts—cool shades of blue and deep black, enriched with hints of Prussian Blue, blend harmoniously with warm orange tones. This dynamic interplay of colours not only energises the piece but also conveys a profound emotional message that invites the viewer to engage in personal interpretation.

“Portal of Existence” is not merely a collection of individual paintings; it is a comprehensive concept that Rafał intends to develop into a series of 70 works. Each painting in the series will present unique arrangements of cubes, within which the artist will embed distinct planets symbolising different facets of cosmic existence. It is a visual symphony in which geometry and abstraction coalesce to create mystical landscapes that transcend the boundaries of traditional painting.

For Rafał Dobosz, art is not only a means of expressing emotions but also a tool for transmitting positive energy and inspiration. His works are the culmination of years of dedicated practice, intensive exploration, and relentless experimentation—transforming human experiences into visual metaphors. “Guardian of Infinity”, as the inaugural piece in the “Portal of Existence” series, is proof that even the most challenging emotions can be transformed into something beautiful and profoundly meaningful.

Sara Wiśniewsky, Editor-in-Chief at Artistic Avenue, praises this work as an outstanding example of contemporary cosmic surrealism. According to her, the painting stands out not only for its precise technique but also for its deep, multi-layered narrative that transports the viewer into another dimension—one where each cube symbolises a passage to an unknown universe.

In summary, “Guardian of Infinity” is not merely the first painting in the “Portal of Existence” series but a symbolic turning point in Rafał Dobosz’s artistic career. His works, forged through years of experimentation and intense creative exploration, exemplify contemporary abstract art that bridges tradition with modernity, emotion with form. This piece has the potential to become an icon of a new era in art, inspiring collectors and critics to explore new, uncharted dimensions of human perception.

Sincerely,

Sara Wiśniewsky

Editor-In-Chief, Artistic Avenue