Rafael Drummer

“Artists as Prey: How a Fake Belgrade Residency Exploited Creative Dreams”

By Rafael Drumer – Investigative Journalist, Editor-in-Chief at Artistic Avenue

Introduction

What happens when the world of art, the one you’ve spent years believing in, turns against you? When your artistic dreams become bait for opportunists who don’t see your work – or you – as anything more than a walking wallet?

This is the true story of Rafał Dobosz, an accomplished international artist and co-owner of Artistic Avenue, who took part in a residency programme organised by Culture Belgrade in 2022. What was promised as a prestigious, enriching experience quickly unravelled into a calculated scheme – a sophisticated scam wrapped in the language of art.

The Illusion of Opportunity

It all began with an invitation through Facebook.

For a fee of €550, the offer included:

• A 3-week residency in Belgrade,

• Three curated exhibitions,

• An auction in Athens, Greece,

• Accommodation provided,

• Framing, promotion and professional support.

It sounded like a genuine opportunity.

But it was only the beginning of a cascading financial trap.

No Apartment, No Answers – Just Excuses

Upon arrival, Rafał learned that the promised apartment was already occupied. The organisers claimed they “didn’t expect so many participants” and asked him to wait. That wait never ended.

Rafał was forced to book his own accommodation through Booking.com, costing €250 per week – a €750 unplanned expense.

Escalating Costs: The Hidden Scheme

Rafał had brought 10 rolled canvases for convenience during air travel. The organisers offered to mount them on stretcher bars (Bleytrams).

The cost? €40 per artwork – totalling €400.

What he soon discovered was shocking:

Each artist was charged a different rate for the exact same service.

Some paid €20. Others – $80. The fees were calculated based on what organisers thought the artist could afford.

This wasn’t a gallery. This was extortion disguised as facilitation.

Exhibitions Without Audiences – A Hollow Stage

The first “exhibition” turned out to be a completely unrelated event – artists were simply photographed there. The second? A day-long hanging in a restaurant. The third? A rented non-gallery room, empty of guests.

The attendees? Friends of the organisers lured with free wine and snacks.

There were no invitations, no real promotion, no buyers, no curators –

just backdrops for photo ops.

The works were removed the next day.

These were not exhibitions – they were staged illusions.

Manipulating Artist Testimonials

Here’s where the scam got truly clever.

In the first days, artists were interviewed on video. They were asked for their feedback – on the event, the “organisation”, the atmosphere.

At that stage, spirits were high. Everyone had just arrived. They’d been wined, dined, and misled with charm.

Those early interviews – made before artists realised the truth – were later published online as glowing testimonials.

This is not marketing. This is emotional manipulation.

The Greek Auction That Wasn’t

The climax of the residency was to be an auction in Athens. Artists were put on a bus for a full-day trip from Belgrade to Greece. Each paid €250 for the journey and had to arrange their own accommodation on arrival.

Upon arrival, artists were told to go explore the city while organisers “prepared the space”. When they returned, they were informed:

“Your artworks were sold during the auction. A buyer will contact you directly.”

No receipts. No names. No evidence.

To this day, no artist received a call.

There was no auction. Only lies.

The Final Blow – Disrespect for the Art

When Rafał’s works were returned, they weren’t packaged or protected.

They were left under the sun, leaning half-unmounted on frames in front of his apartment door.

There was no one to speak with. Phones were off. Emails unanswered.

Other artists, like Ava from Switzerland, fought for months to get their works back.

This wasn’t neglect. It was utter disrespect.

Counting the Damage – Financial and Emotional

From an initial fee of €550, the total cost ballooned to over €1,500, including:

• €400 for mounting canvases,

• €250 for the Greece trip,

• €750 for accommodation in Belgrade,

• Additional expenses for food, transport and printing.

But the financial loss paled in comparison to the emotional fallout:

• Destroyed trust in international art events,

• Broken morale,

• Disillusionment with the art world itself.

Some artists involved have struggled to return to creating.

The Scam Blueprint – How It Works

1. Social Media Bait – Often via “calls for artists” or fake competitions.

2. Mass Acceptance – Almost everyone who applies is “selected”.

3. Upfront Payment – Modest, but hooks the artist in.

4. Inflating Costs – Framing, rent, extras… all added after arrival.

5. Faked Legitimacy – Early testimonials, photographs, rented spaces.

6. Staged Events – One-day displays, fake guests, wine parties.

7. Fabricated Sales – Invented buyers, no proof, no contact.

8. Silence and Ghosting – Organisers vanish once event ends.

This is not a misunderstanding. This is an orchestrated, high-efficiency con targeting creatives.

A Final Word from Rafael Drumer – Journalist, Artist Advocate

To all emerging and established artists – let this story serve as a red flag.

Do not confuse ambition with naivety.

Do not let your love for art blind you to exploitation.

Culture Belgrade and organisations like it do not care about art.

They monetise your dreams.

They weaponise your hope.

They mock your passion.

The only thing they curate is your wallet.

They thrive because we – artists – are empathetic, trusting, and hungry for connection. But art deserves more than exploitation.

And so do you.

This investigation was conducted by Rafael Drumer, Editor-in-Chief at Artistic Avenue, in collaboration with Rafał Dobosz – international visual artist and whistleblower.

Let this be a warning. Let this be a shield.

Let this be the last time someone gets away with this.

Art for Thousands: How Dantebus Tempts Artists with the Illusion of Prestige

In the art world, where dreams of recognition and success are as common as brushes and canvases, there are institutions that exploit those aspirations for their own profit. One such entity is the Italian gallery Dantebus, which attracts artists from around the world with enticing exhibition offers in Rome and Florence. But behind the facade of prestige lies a business model that raises serious concerns.

A Tempting Offer

Dantebus offers artists the chance to participate in exhibitions at two seemingly prestigious locations: the Dantebus Margutta Gallery in Rome and the Dantebus Florence Gallery. For a one-time payment ranging from €999.90 to €2299.90, the artist is promised:

• participation in the exhibition with one artwork displayed,

• inclusion in a bilingual (Italian-English) catalogue with an ISBN number,

• a personal website and mobile app for one year, allowing for sales without commission.

Additionally, the gallery emphasises that it takes no commission from sales, and that the artist may attend the opening day for interviews and photos, supposedly increasing their exposure and chances of selling.

Hidden Costs and Lack of Transparency

While the offer may sound attractive—especially to emerging artists—there are several red flags:

No sales data – When asked about previous exhibition sales, average artist earnings, or visitor statistics, Dantebus representatives respond vaguely, avoiding concrete figures.

High fees with no guarantees – The fees are substantial, and with no commission taken from sales, it suggests the gallery’s primary revenue stream is the upfront payment, not art sales.

No responsibility for the works – Dantebus clearly states that the artist is fully responsible for the shipping, insurance, and collection of their work, removing any operational obligation from the gallery.

Let’s Do the Maths: €85,000 for Prestige

According to the details provided:

• The Rome exhibition involves 30 artists paying €999.90 each = €29,997

• The Florence show includes 40 artists at €1399.90 = €55,996

• Artists who opt to show in both cities pay €2299.90 – sometimes in three instalments

This means that Dantebus earns over €85,000 from just two events, without having to sell a single painting or provide logistical support. These fees are not directed towards curators, sales staff, or public relations campaigns—because those services, in many cases, don’t exist.

Dubious Marketing Tactics

Dantebus also runs Facebook ads for “art contests”, where the winner supposedly receives a €500 cash prize for submitting their artwork. In reality, many artists who submit their details never hear back about any competition results—but instead receive an offer to pay to be part of the exhibition.

This is a classic data capture technique disguised as opportunity—luring in aspiring artists under the promise of reward, only to target them with high-pressure sales emails.

No Answers – Silence as a Strategy

Polish artist Rafał Dobosz, who received such an offer, responded with professional and precise questions:

• How many artists sold artworks at past exhibitions?

• What were the average visitor numbers?

• What tangible benefits resulted from participation?

The reply? Vague assurances, compliments, and evasive language. When he followed up—no reply at all. This silence is not accidental; it’s a strategy. Push for transparency, and the conversation ends.

Why Does It Work?

Because it preys on the artist’s deepest vulnerability: the desire to be seen. For someone just starting out, receiving a personal invitation to exhibit in Rome or Florence sounds like a breakthrough. Add the words “selected” or “invited” and an urgent deadline, and artists are more likely to accept without due diligence.

In truth, these events offer little more than space on a wall and a sense of occasion. There are no named curatorsno guaranteed buyersno outreach efforts. It’s an illusion—carefully crafted, but hollow.

How to Protect Yourself – A Checklist

Before you pay to exhibit, ask these essential questions:

1. Does the gallery earn from sales, or just from artists’ fees?

2. Can they provide verifiable data on past events—sales, attendees, media coverage?

3. Is the venue truly prestigious, or just a rented space with a glossy name?

4. Can you speak to past participants directly?

5. Are so-called “competitions” just a way to gather your data?

Conclusion: Time to Break the Illusion

Artistic passion is a powerful thing—but it should never be exploited by those who package hope as a product. Dantebus and similar galleries thrive on emotional manipulation, not artistic merit. They offer professional-looking emails, vague praise, and promises of exposure. But they do not invest in the artist—they charge the artist for the illusion.

True galleries work for the artist. They promote, exhibit, sell, and share the risk. If a gallery asks you to pay upfront without providing hard evidence of results, remember:

Visibility without substance is just an expensive mirage.

I’m writing this not just as an investigative journalist, but as an artist with many years of experience. I want to warn every creator: don’t let your emotions or your desire to “finally be seen” push you into making rushed decisions.

Galleries that don’t take commission from sales have no incentive to actually sell your work. Their only income comes from the artist’s upfront payment – and that’s where their focus lies. They don’t invest in promotion. They don’t build networks with collectors. They don’t work for you – they live off your ego and your dreams.

In the case of Dantebus, we’re talking about potential earnings of over €85,000 from a single edition. Do they really need any more motivation to help you make a sale? No – they’ve already made theirs. Off you.

I know how tempting it can be to receive an invitation to exhibit in Rome or Florence. I’ve fallen for it myself in the past. But now I know this: if a gallery doesn’t take commission and doesn’t actively sell, it’s not working in your best interest.

To all artists out there: don’t let your ambition become someone else’s business model. Ask questions. Investigate. Don’t be fooled. Your art has value – and it should never be just a ticket into someone’s revenue machine.

Thank you for reading this article. If it helped you see things more clearly, please share it with others. The more artists become aware, the fewer galleries will profit from manipulation.

With artistic respect,

Rafael Drummer

Editor-in-Chief, Artistic Avenue

Monumental Forms and Fleeting Emotions: A Review of Architectural Forms 173 by Anastasia Koronskaya

Professional Art Review

Title: Architectural Forms 173
Medium: Oil on canvas
Dimensions: 100 × 70 cm
Year: 2025
Artist: Anastasia Koronskaya

Formal Analysis

Architectural Forms 173 masterfully blends expressive abstraction with architectural precision. Anastasia Koronskaya constructs a composition where monumental forms emerge from dynamic brushstrokes, creating a structure that balances between reality and vision. The artist skillfully manipulates light and shadow, achieving a sense of depth and architectural weight while maintaining an intense emotional charge.

The painting’s color palette is built on the contrast between warm, saturated reds and deep blues, generating tension between stability and movement. The interplay of these colors introduces an element of uncertainty, as if the structure depicted on the canvas is in a constant state of transformation. The impasto technique and bold application of a palette knife create a textured surface, giving the piece an organic, almost eroded quality. In this way, Koronskaya introduces an element of deconstruction, suggesting that the monumental forms we build—both in the real world and in our minds—are subject to decay and change.

Interpretation and Context

The painting aligns with the tradition of architectural abstraction, yet it transcends purely formal exploration. Koronskaya uses urban structures as a metaphor for the human condition. The monumental forms dominating the composition may symbolize both the achievements of civilization and their impermanence. One can see echoes of Gothic cathedrals, futuristic metropolises, or even the ruins of past cultures—the piece becomes a reflection on time, memory, and transience.

Many of Koronskaya’s earlier works also explore spatial themes and their psychological impact. Exhibitions such as “Urbán”“Space Within Space”, and “Intersections” examined the relationship between architecture and emotions, portraying cities as places of both refuge and alienation. In Architectural Forms 173, this duality is particularly striking—the painting exudes strength and monumentality while, through its blurred edges and subtle lighting, introducing a sense of nostalgia and impermanence.

Influence and Unique Style

Anastasia Koronskaya continues to develop her distinctive artistic language, merging rigid geometry with expressive use of color and texture. While her work echoes modernist experiments by Kandinsky or late-period Richter, her compositional approach remains uniquely her own. Her ability to infuse monumental structures with emotional depth sets her apart—these are not just forms, but carriers of narratives, hidden meanings, and personal experiences.

Her technique, which involves layering paint, gives the artwork an internal rhythm, making the structures seem both permanent and ephemeral—built and deconstructed simultaneously.

Conclusion

Architectural Forms 173 is a profoundly mature composition, blending technical precision with emotional intensity. The painting captivates not only through its structure and color but also through its hidden meaning—it tells a story of construction and decay, of memory embedded in space, and of the fragility of grand ideas.

Koronskaya once again proves that her work is more than formal experimentation—it is a deep reflection on architecture as a metaphor for human experience.

Rafael Drummer

Contemporary Art Critic

Artistic Review – “Twin Flame” by Sara Wiśniewska

Rafael Drummer, Art Critic, Contemporary Art Enthusiast

Introduction

In the evocative work “Twin Flame” by Sara Wiśniewska, we encounter a mesmerizing, multi-layered canvas that unfolds like a narrative of emotion and inner connectivity. Presented on a 100×100 cm canvas and executed in oil with the expressive application of a spatula, the piece stands as a visual feast that channels both the raw power and delicate subtleties of abstract expressionism.

Form and Texture

At first glance, the rhythm of the paint immediately captivates the observer—the layered application of oil creates an almost tactile landscape where each impasto stroke seems to map out the contours of emotion. The deliberate use of a spatula to build up texture lends the work a dynamic, almost sculptural quality. Every mark and ridge is a testament to the artist’s impulsive yet thoughtful gesture, transforming the canvas into an organic, living entity pulsating with colour and mood.

Colour Palette and Symbolism

The title “Twin Flame” invites a contemplation of the notion of duality—the meeting of two kindred forces. Wiśniewska employs a palette where cool greens and turquoise clash and converse with passionate reds and soft pinks, creating a space teeming with contrasts. This interplay of hues evokes a metaphorical encounter between fire and water, impulse and serenity—a vibrant symbol of a profound, intertwined connection.

Emerging from what might seem like a deliberate chaos of colours is a subtle suggestion of symmetry, as if an unseen axis underpins the composition. This delicate balance within the apparent disorder is what renders the painting so compelling; it draws the viewer into a meditative state, encouraging reflection on the nature of interpersonal bonds and the interplay of energies.

Context and Inspirations

While Wiśniewska clearly draws inspiration from the tradition of abstract expressionism, her work possesses an intimate, individual voice. There are echoes of spontaneous gesture and fervent energy, yet every spatula stroke appears as part of a considered dialogue with the canvas. In today’s art scene, there is a growing appreciation for works that meld unbridled dynamism with a personal narrative, and “Twin Flame” fits seamlessly into this evolving discourse.

Market Valuation and Collectability

Taking into account:

• The substantial 100×100 cm format, which situates the piece among those meant for grand exhibition,

• The layered technique that creates a richly textured, multi-dimensional experience,

• The current market’s favour towards gestural abstraction and emotive expression in Europe,

the work is estimated to command a market value in the range of:

• Primary Market (galleries, direct sales): £4,500 – £7,000

• Auction Market: Potentially up to £9,500, contingent on collector interest and exhibition prominence

• US Market: Approximately $8,000 – $12,000

With further recognition of Wiśniewska’s evolving oeuvre and participation in prominent international exhibitions, the value of her work is likely to appreciate in the coming years.

Conclusion

“Twin Flame” is a piece in which the passion of colour meets the profound symbolism of duality. Through its layered structure and bold, contrasting palette, the painting offers an intense yet harmoniously composed experience. Sara Wiśniewska demonstrates that abstraction can be both a wild outburst of emotion and a measured exploration of inner landscapes, inviting the viewer to embark on a personal journey of interpretation and reflection.

Rafael Drummer

Contemporary Art Critic

Expert Appraisal by Sara Wiśniewsky

Guardian of Infinity – The First Painting in the “Portal of Existence” Series

Artist: Rafał Dobosz

“Guardian of Infinity” is a remarkable example of cosmic surrealism, where artist Rafał Dobosz seamlessly combines technical mastery with a deeply metaphysical narrative. Painted over the course of two and a half years on a 100 x 100 cm canvas using oil paint, this work is a testament to meticulous craftsmanship and layered composition. With thin glazes and methodical brushwork, the painting achieves a luminous, ethereal effect that transports the viewer to another dimension.

At first glance, the central hooded figure captivates the observer, set against an expansive cosmic landscape. Surrounding spheres, vivid planets, and abstract geometric forms emphasize the theme of transition between the earthly and the transcendental. The subtle interplay of cool blues and deep black, enriched by touches of Prussian Blue and warm orange tones, suggests the emission of ethereal energy from an unseen source.

A key strength of this work is the perfect integration of multiple layers of oil paint. Each layer adds complexity and depth, creating a dreamlike atmosphere reminiscent of Renaissance sfumato yet infused with a contemporary energetic charge. The sharp geometric motifs juxtaposed with the soft, blurred areas of the background create a tension that fuels the viewer’s curiosity.

“Guardian of Infinity” is more than a visual representation; it is an artistic statement that invites reflection on the mysteries of existence and our role in the infinite cosmos. As the first painting in the “Portal of Existence” series, created by Rafał Dobosz, it marks the beginning of an extraordinary artistic journey that will continue in 69 additional works. With its unique combination of technique, vision, and profound emotional expression, this piece is sure to captivate collectors, curators, and art enthusiasts seeking unforgettable aesthetic experiences.

Sincerely,

Sara Wiśniewsky

Editor-in-Chief, Artistic Avenue

Artistic Avenue Proudly Presents the Works of Its Artists at Liverpool Art Fair 2024

Liverpool Art Fair 2024, the annual artistic event held at the prestigious Liverpool Royal Building, is set to open its doors soon to art lovers from around the world. This year, the art fair, known for its highly selective exhibition, will showcase works by the best artists from Liverpool and its surroundings. Among the selected creators are Rafał Dobosz and Sara Wiśniewska, representing Artistic Avenue.

Taking place from June 28th to August 18th, 2024, Liverpool Art Fair attracts attention not only for its extraordinary works of art but also for its location. The Royal Building, famous for the iconic Batman logo projected on its facade, is one of Liverpool’s most important landmarks. Here, in the heart of the prestigious district, one of the most significant artistic events of the year will be held.

The exhibition’s inaugural opening is scheduled for June 27th and will feature works evaluated by a distinguished panel, including representatives and organizers from dot-art, as well as renowned artists from the region. This year, Artistic Avenue proudly presents the works of Rafał Dobosz and Sara Wiśniewska.

Rafał Dobosz, a Polish artist, is an abstract painter whose work reflects emotions and visions conveyed during meditation. His paintings, full of intense colors and dynamic forms, result from an intuitive approach to painting. Rafał has been a regular at exhibitions for five years, and Liverpool Art Fair 2024 will mark his second participation in this prestigious fair. In this year’s edition, he will present five of his most notable works, sure to capture the attention of visitors.

Rafał’s Art to be Presented at Liverpool Art Fair 2024

Title: “Abstract Emotional Mirror N130124”

Title: “Abstract Emotional Mirror N71123”

Title: “Abstract Emotional Mirror N110124”

Title: “Mirror N2. The rush of emotions in the space of matrix.”

Title: “Mirror N1. What do you see? What you feel?”

Sara Wiśniewska, also from Poland, has been living in England for 11 years. This is her debut in the world of abstract art. Sara will showcase one large painting. This piece, created using small spatulas and oil on canvas, is the result of a meditative creative process. The details and deep symbolism of the painting have earned the approval of the judging panel, making her debut at Liverpool Art Fair even more remarkable.

Sara’s Art to be Presented at Liverpool Art Fair 2024

Title: “Twin Flame”

Artistic Avenue is extremely proud to represent its artists at such a prestigious exhibition. Rafał Dobosz and Sara Wiśniewska, as two of the best creators in the area, will have the opportunity to present their works to a wide audience and establish valuable contacts in the art world.

We invite all art lovers to visit Liverpool Art Fair 2024 and admire the exceptional works of Rafał Dobosz and Sara Wiśniewska. This unique artistic event is sure to leave a lasting impression on its participants.

Rafael Drummer 

The Dance of Emotions: Painting as a Journey of Self-Discovery



The Dance of Emotions: Painting as a Journey of Self-Discovery

In the realm of art, each brushstroke tells a story, each layer of paint reflects an emotion, and each canvas becomes a mirror to the soul. For me, painting is not just about creating images; it’s a profound journey of self-discovery, a dance with the signals from the Matrix.

Every day, I embark on a conscious exploration of the signals that permeate our existence – signals of anger, empathy, love. But to me, they are merely that – signals. It matters not who sends them, for it is my perception and reception that determine their essence. It is I who decide how to interpret these emotions – whether to let them lure me into the game or observe them as a detached observer.


Each painting I create is a reflection of this ongoing dialogue with the invisible forces that shape our reality. Each canvas is a mirror, capturing the essence of a day, a thought, an emotion traversing the Matrix network. It reaches me like a conscious observer, and it is I who choose whether the avatar will engage with a particular

emotion or not. It’s a wondrous process, a testament to the creative power of life itself.

Painting, for me, is a transformative journey, an opportunity to observe and explore the depths of my emotions. It’s a constant reminder of how easily one can navigate through the Matrix, how effortlessly one can play the game, and how crucial it is to make conscious decisions. That’s why I love to paint using the Squidge Technique – a method of layering paint to create multi-dimensional textures. Oil paints, with their slow drying time, allow me to be patient, to immerse myself in the creative process, and to reconnect with the vibrations of past sessions.

Each layer of paint adds depth and complexity to my artworks, transforming them into multi-dimensional expressions of the human experience. They become windows into the soul, inviting

viewers to explore the intricate tapestry of emotions woven into each stroke.

Join me on this journey of self-discovery through art, where every painting is a reflection of the signals from the Matrix, and every brushstroke is a step towards understanding the complexities of human emotions.

Warm regards

Rafal Dobosz


Rafał Dobosz: Emotional Journey Through Abstract Art

Rafał Dobosz: Emotional Journey Through Abstract Art

Abstract art is like an ocean of emotions, where colors, shapes, and textures form undulating representations of human experiences. Rafał Dobosz, a passionate artist, creates paintings that not only evoke visual impressions but also provoke introspection and contemplation about the nature of all human emotions.

The artist’s works emanate subtle aspects of life, revealing that art is not merely an image but also a medium for conveying emotions and signals that impact our lives. Rafał Dobosz delves into the essence of human feelings, employing painting techniques to capture the intricate web of emotions and experiences in which we immerse ourselves every day.

Paintings created by Rafał Dobosz are multidimensional abstract pieces. They resemble an attempt to understand oneself, a reflection in the mirror revealing inner experiences and feelings. By painting with oils, Dobosz experiments with the “Squidgy” technique, enabling him to create multi-layered images. His creative process, based on the extended waiting periods between layers of paint, demands patience, resulting in incredibly profound and multi-faceted works.

Yet, the artist’s art is not solely an attempt to comprehend oneself. It’s also a universal message engaging the viewer, prompting reflection on their own experiences. His abstractions allow people to have individual interpretations, leaving room for personal feelings and reflections. While creating, the artist not only engages in a dialogue with his canvases but also with art viewers, encouraging them to discover their own emotions and feelings within the paintings.

The painting process is incredibly intuitive and deeply linked to meditation. Rafał Dobosz’s artistic beginnings stem from a personal journey that began with a shift in life situations, causing a new perception of the world. The transformation from businessman to artist marks a key moment in Rafał Dobosz’s history, where he chose to follow his passion.

Rafał Dobosz is an artist who not only creates paintings but also inspires people to explore the depths of emotions and signals that guide our lives. His art is a captivating journey through emotions, encouraging contemplation on existence.

Evolution of Creativity: Rafał Dobosz as a Visionary in the Art World

Everything an artist creates reflects their journey in the world of art. Rafał Dobosz is no exception. The evolution of the artist’s art is like a landscape changing with every new piece, reflecting both his own changes and reactions to the world around him.

Dobosz’s beginnings in the art world had roots in an emotional need to express oneself, convey feelings, and contemplate one’s own life. However, as he developed as an artist, his works became more complex, deeper, and more interactive with the audience.

Over time, the artist began experimenting with various techniques and materials, expanding his horizons in the world of abstract art. His works began to express not only emotions but also thoughtful messages about society and nature. This evolution from introspective painting to an artistic manifesto became a crucial element of his creative journey.

Rafał Dobosz’s recent works introduce new elements, such as combining other art forms or techniques, to highlight the message flowing from the paintings. The painter starts merging abstraction with concrete forms, creating artworks that engage the viewer in a dialogue between abstraction and understanding.

Continuously seeking new ways of self-expression, Dobosz transcends the boundaries of conventional abstract art, creating something that becomes a bridge between traditional works and a modern approach to art creation.

His paintings have become not only a medium for expressing personal emotions but also a platform where viewers can immerse themselves in contemplation of universal issues. Rafał Dobosz is a visionary who expands the boundaries of abstract art, provoking thoughts about the nature of human experiences and feelings.

His paintings pay homage to the process of seeking, constant development, and inevitable passing. They testify not only to his individual journey but also to the openness to the world, the mystery of emotions, and the universality of experiences that define our human existence.

By/ Elisabeth Grabka

Damien Hirst – An Exciting Conceptual Artist


Damien Hirst – An Exciting Conceptual Artist

Introduction:

Damien Hirst, a British artist and a pioneer of conceptual art, is one of the most controversial and influential creators on the contemporary art scene. His unconventional works evoke emotions and encourage contemplation about life, death, and the human condition. In this article, we will explore the life, artistry, and philosophy of Damien Hirst and discover how his pieces become the subject of discussion in the art world.

  1. Artistic Beginnings:

Damien Hirst embarked on his artistic journey while studying fine arts at Goldsmiths College in London. His early works focused on installations and sculptures that were both repulsive and intriguing. Right from the beginning of his career, Hirst stood out with controversial ideas that aimed to provoke viewers into contemplating challenging themes of life and death.

  1. Exploration of Details and Symbols:

In later years, Damien Hirst became known for his fascination with death and the human body. His series of works related to anatomy, such as “The Physical Impossibility of Death in the Mind of Someone Living,” garnered both widespread acclaim and criticism. These pieces zero in on exposing details and symbols related to life and death, prompting the viewer to reflect on the human existence.

  1. Creating New Art Forms:

Damien Hirst is also renowned for creating new art forms, such as “spin paintings” – canvases produced by rotating the canvas. His experimental approach to art inspires and encourages other artists to explore new techniques and forms of expression.

  1. Impact on the Art World:

Damien Hirst’s works have a profound impact on the art world and contribute to changing perceptions of conceptual art. His creativity is controversial but also sparks deep discussions about the nature of art and its significance in today’s world.

  1. Visionary Creativity:

His visionary creativity and unconventional approach to art make Damien Hirst one of the most fascinating contemporary artists. His pieces remain a remarkable testament to his exceptional talent and passion for artistic expression.

Conclusion:

Damien Hirst is an artist who fearlessly takes on challenges and controversies. His creations touch on subjects central to the human experience, propelling him to become an icon of conceptual art. His creativity inspires subsequent generations of artists to explore new ideas and discover novel art

Yokoi Kasuma – A Visionary Explorer of Art and Color

Yokoi Kasuma – A Visionary Explorer of Art and Color

Introduction:

Yokoi Kasuma, a Japanese artist of visionary painting, is one of the most creative and influential contemporary artists. His unique works are full of colors and expression, captivating art enthusiasts worldwide. In this article, we will delve into the life, artistry, and philosophy of Yokoi Kasuma and discover how his art comes alive through a rich palette of colors.

  1. Artistic Beginnings:

Yokoi Kasuma embarked on his artistic journey from a young age, fascinated by the colors of nature and the nuances of light. His early steps were taken in Japanese landscapes, creating painterly impressions of his homeland. He quickly gained recognition for his ability to convey emotions through colors, which became a hallmark of his artistic expression.

  1. Departure from Traditional Styles:

As his career developed, Yokoi Kasuma explored various styles, straying far from conventional techniques. His abstract compositions and unexpected color combinations captured the attention of art lovers worldwide. His works exude energy and vitality, inviting viewers on a mystical journey through abstract landscapes.

  1. A Colorful Narrative:

The color palette in Yokoi Kasuma’s art plays a pivotal role in conveying messages and emotions. From bursts of vibrant hues to subtle pastel shades, his works tell stories without words. Each stroke of color harmoniously blends, reflecting both delicacy and the force of life.

  1. Inspiration from Nature:

Nature plays a pivotal role in Yokoi Kasuma’s art. His works mirror the ever-changing faces of nature – from shimmering river waters to majestic mountains. His unique interpretation of nature allows viewers to immerse themselves in painted landscapes that feel almost tangible.

  1. International Acclaim:

Yokoi Kasuma’s art has garnered international acclaim, exhibited in prestigious galleries and museums around the world. His exhibitions attract collectors and art enthusiasts alike, eager to admire the unique works of this exceptional artist.

Conclusion:

Yokoi Kasuma is an artist who revitalizes art through his imagination and a rich palette of colors. His abstract works stir emotions and stimulate contemplation, inviting viewers to uncover the unknown. Like Yokoi Kasuma, the team at Artistic Avenue is committed to seeking undiscovered talents and inspiring artists who can revolutionize the art world. Embracing collaboration and creativity, Artistic Avenue provides a platform for artists to showcase their creations to a broad audience. We aim to foster a space where art and creativity flourish, offering emerging talents the opportunity to express their distinctive voices.

We take pride in our mission and invite all art enthusiasts to join us in exploring the marvelous world of artistic possibilities that Artistic Avenue has to offer.

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